It is poverty only which makes celibacy contemptible
Emma
by Jane Austen
In my late teens I went through a serious period drama phase, fuelled by TV miniseries based on classic books. A particular favourite was the 1996 ITV production of Emma starring Kate Beckinsale. I loved that show and watched it so many times I can still picture every scene now, a good 15+ years after I last saw it. Plus, of course I’ve seen the Gwyneth Paltrow film (meh), the 2009 BBC series starring Romola Garai (okay) and the greatest (or at least the most fun) Austen adaptation of them all, Clueless.
So you’d think I would have read Emma long ago. However, to date my experience of Jane Austen has not gone so well. I quite liked Northanger Abbey but I gave up multiple times on both Pride and Prejudice and Sense and Sensibility, finding the stuffiness outweighed the wit. I can’t say finally reading Emma has won me over; largely I think I only got through it because I already knew it so well.
Emma Woodhouse is young, rich, devoted to her family and determined to be cheerful. Her elderly father doesn’t like to go out and she doesn’t like to leave him home alone, so ever since her governess Miss Taylor left to marry Mr Weston she has been pretty bored. She makes friends with Harriet Smith, a girl of unknown parentage who was raised by the local schoolmistress. Harriet is dull but straightforward and quick to adore Emma. Emma’s friend and adviser Mr Knightley (her sister’s husband’s brother, who lives nearby) thinks she would do better to befriend Jane Fairfax, who is intelligent and accomplished. But Emma has always found Miss Fairfax cold and distant, not to mention being a little jealous of her musical skill.
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