I feel like I’ve barely looked at a book this month, though actually the list below isn’t especially short. I have watched a lot of films, including Logan, which isn’t my favourite X-Men film (that would be Days of Future Past), but is my favourite standalone Wolverine film.
My favourite film of the month was probably Freeheld, the 2015 film based on the true story of a dying policewoman fighting to have her pension assigned to her domestic partner. It made me cry a lot, but also includes a very funny turn from Steve Carrell as a gay rights activist who takes on the case.
On 10 March, for British Science Week, I ran a 10k virtual race. I was so proud of myself! Now I have to make sure I keep the effort up ahead of the Bristol 10k at the start of May, which I’m running for charity (more on that soon).
Now I need to wrench myself away from all the films we have on DVD, Netflix and Amazon Prime and get some reading done!
I’m always nervous of contemporary books about colonialism but I figured I’d be in safe hands with Orwell. Like A Passage to India, the major theme is the racism inherent to colonialism, but Orwell does a better job than Forster of clearly separating his characters’ racism from his own opinions on the subject.
The first character we meet is U Po Kyin, a middle-ranking Burmese official who has plotted and bribed his way to where he is and continues to plot his way further up. The next step in his plan is to destroy the reputation of Dr Veraswami, the local doctor. The biggest hurdle he faces is that the doctor is friends with Mr Flory – a white British man, in a country where the ruling British are unassailable.
For the most part the rest of the novel follows Flory as he tries to keep a grip on his awkward position in society. They’re in a small town in northern Burma and the Europeans-only Clubhouse has just eight members, most of whom are, like Flory, timber merchants who spend most of their time in the jungle. Aside from Flory they keep themselves apart from the native population and refer to them with racial epithets that are shocking to modern ears, and I suspect even at the time would have been frowned on “back home”. Flory makes clear by his friendship with the doctor that he doesn’t agree with the prevailing opinion, but he rarely opens his mouth to object when racist things are said.
“[Flory said,] ‘I don’t want the Burmans to drive us out of the country. God forbid! I’m here to make money, like everyone else. All I object to is the slimy white man’s burden humbug. The pukka sahib pose. It’s so boring. Even those bloody fools at the Club might be better company if we weren’t all of us living a lie the whole time.’
‘But, my dear friend, what lie are you living?’
‘Why, of course, the lie that we’re here to uplift our poor black brothers instead of to rob them. I suppose it’s a natural enough lie. But it corrupts us, it corrupts us in ways you can’t imagine. There’s an everlasting sense of being a sneak and a liar that torments us and drives us to justify ourselves night and day. It’s at the bottom of half our beastliness to the natives.’ ”
Despite losing an hour, we packed in a lot of fun this weekend. Yesterday we took the steam train and ferry from Paignton to Dartmouth with some friends. The weather was perfect, with blue skies and some real warmth from the sun for one of the first times this year. We ate local crab sandwiches, took a cruise around the estuary and (after some searching) found a place for cream tea with delicious scones and terrible wait staff.
We weren’t in Devon for a literary break, but it so happens that one of the stops on the steam train line is Greenway Halt, which exists solely for visitors to Greenway, the estate of one Agatha Christie. I haven’t read her books since I was a teenager but back then I was a big fan. I couldn’t resist picking up one of her titles in the railway shop. Maybe I’ll rekindle my fandom and next time we’re in Devon I can drag Tim round another author’s home!
All the Rivers by Dorit Rabinyan
translated from Hebrew by Jessica Cohen
I remember spotting this book in the Serpent’s Tail catalogue last year and immediately liking the sound of it. It had potential to be brilliant or awful, to deal with complex matters sensitively or insensitively. Thankfully, to my mind, Rabinyan got it just right.
Liat is a translation student spending the academic year in New York City. She is practical and idealistic. Hilmi is a painter struggling for his artistic break. He is passionate and pessimistic. When they meet one day in a coffee shop there is instant attraction, but it also immediately clear that theirs won’t be a straightforward courtship. Besides the fact that Liat has only six months left on her visa, there’s the question of where she will be moving back to. Because she is from Israel and he is from Palestine.
The narrative isn’t quite linear, dealing with different aspects of the relationship in turn. First there’s getting to know each other. Then there’s Hilmi’s burgeoning art career. Then how they act around their friends. And so on. The day of Liat’s departure keeps getting close, only for the story to jump back a few months to fill in fresh detail. It feels very much like the way someone remembering events might structure their thoughts.
Sue Townsend was reliably both funny and socially relevant, and she doesn’t disappoint here. The title doesn’t refer to the Midlands town’s destruction in World War Two – it is, rather, about a woman called Coventry.
Coventry Dakin introduces herself with two facts: she’s beautiful and she killed a man. Specifically, her neighbour Gerald Fox. And now she’s on the run in London, without her handbag.
Killing Gerald was a spur of the moment decision, hence Coventry’s less-than-perfect running-away outfit. We learn the story behind the murder and the fallout for Coventry’s husband and children, interspersed between Coventry’s survival on the streets of the capital.
This being a comedy, there is an element of the ridiculous to much of the action. The murder weapon is an Action Man doll. She had been in the middle of cleaning her chimney, so she’s wearing old clothes and covered in soot. Her husband Derek is really only interested in his tortoises.
This is an unusual book, primarily because of its historical setting and premise. While there are plenty of historical novels, there are few that remain so determinedly non-specific about the time and place in which they are set and even fewer where the action revolves around the forced enclosure of common land.
England (which is presumably the setting, though even that isn’t stated outright) had a series of Enclosure Acts from the 12th century to the 19th, but they became especially common in the 17th and 18th centuries. Effectively, this allowed landowners to seize common land – land that their tenants, which often meant whole villages, farmed for their own use – and enclose it, controlling what was farmed there. This might mean charging rent to local people or it might mean switching to a type of farming that employed far fewer people, such as sheep farming.
It doesn’t sound like the most auspicious basis for a book, but actually that part of it really worked for me. It felt very relevant to be reading about social injustice, the rich getting richer while the poor lose what little they have. There is some action too – arson, violence, death – which the landowner turns to his advantage, though the villagers don’t realise it.
I’ve delayed writing this review because I really didn’t know how to describe this book. It’s a strange, repeating, myth-referencing auto-fiction about a young woman. The strangeness and repetition point to the main character’s emotional fragility, but they also reflect her wider character – an intelligent woman well-versed in arts and sciences who can quickly get lost in thoughts and dreams.
It’s the fictionalised memoir of a year in Hilda Doolittle’s youth, 1907–08, when she was 21. She wrote this in 1927 and at the time of her death in 1961 was preparing it for publication, but it then got packed away with all her literary estate and didn’t finally see publication until 1981. This may or may not be related to the bisexual nature of both the author and her fictionalised counterpart.
The story takes a bit of teasing out from the abstract prose, and it helps to learn about HD’s own life to fully follow it (in my copy there is an introduction by HD’s daughter that fills in some gaps), but the actual events aren’t really what’s important here. HD has done an incredible job of finding the words to depict fragile mental health.