Being behind in reading means not only that my TBR is growing as I buy books faster than I can read them (usually it’s pretty evenly balanced); it also means that review copies and books borrowed from friends are piling up too. So apologies if I’ve borrowed a book from you and don’t get to reading it for a while. I will eventually.
Hopefully, I’ll book myself at least one free weekend next month, when I’ll just read. That would be really really nice.
This is in the Penguin Great Journeys series, so it’s an abridged version of a longer travelogue, in this case The Innocents Abroad, Twain’s 1869 account of a cruise across the Atlantic and around the Mediterranean.
I love Twain’s writing style – it’s simple language but excitable. He’s super enthusiastic to learn about the places he visits and to see in person places he has elevated to legendary status. His reactions seem to be genuine and honest. Which unfortunately includes some negative thoughts that are kinda racist.
“Elsewhere we have found foreign-looking things and foreign-looking people, but always with things and people intermixed that we were familiar with before, and so the novelty of the situation lost a deal of its force. We wanted something thoroughly and uncompromisingly foreign – foreign from top to bottom – foreign from centre to circumference – foreign inside and outside and all around – nothing any where about it to dilute its foreignness – nothing to remind us of any other people or any other land under the sun. And lo! in Tangier we have found it.”
This was an odd read – a well-written book about a character I found it extremely hard to empathise with. Which is not something I generally shy away from in my reading, but it turns out there’s only so much detailed description of shopping and fashion that I can cope with!
Kayo might live in Tokyo, one of the world’s largest cities, but her world is small. She marries her high school boyfriend straight from school, and is immediately plunged into the life of the housewife, only leaving home to shop or get her hair done. When she has her first child a year later, her life gets even more lonely. On her rare outings she feels keenly that she is the harassed unkempt young mother, sharing the streets with glamorous office ladies whom she can never befriend.
Two things step in to change this for her. Kayo’s mother, offended at not having been invited to her daughter’s wedding or told about the birth of her first grandchild, turns up on the doorstep one day and hands Kayo a large cheque in lieu of the wedding kimono a mother would usually buy her daughter. It is understood between the two women that this will be their last meeting. Kayo decides not to tell her husband and uses the money to open her own bank account. She finally has the means to create a little freedom for herself.
We tend to think that until the latter half of the 20th century, science was done by men. The history books and allocation of awards such as Nobel prizes strongly support that view. But in recent years a slew of books have begun to challenge that version of history. This is the first I’ve read but I’m keen to follow it up with Hidden Figures, The Glass Universe and others.
Ignotofsky both wrote and illustrated this beautiful book, profiling women scientists in a design-heavy layout that simply and effectively tells their stories.
From Hypatia (approx 350–415 AD) to Maryam Mirzakhani (1979–present), this book devotes a double-page spread each to women who have made significant advances in science, technology, engineering and mathematics (STEM). In each, the left-hand page is an illustration of the woman herself, with a few key facts floating around, while the right-hand page contains a bio of the woman and a few small, light-hearted illustrations. In every case there is a quote either by or about the woman, and these often reference being a woman in a man’s world.