This Japanese TV show exists in many versions – largely with the same actors – but I am here referring to the Netflix series Midnight Diner: Tokyo Stories (which is arguably season 4 of the show originally aired on MBS). Tim and I love this show so much.
It’s a simple concept: at a late-night diner (open from midnight until 7 a.m.) in Shinjuku, the chef-owner cooks whatever dish his guests request. The camera lingers on the cooking, but this is a drama about people. Each episode takes as its subject one of the regular customers. In this way, the episodes are largely separate stories.
Midnight Diner has a wonderful atmosphere – warm, cosy, but within the confines of reality. The acoustic background music adds to the sensation of being in a friendly backstreet bar where there is always gentle hubbub and subdued lighting.
Continue reading “Dorama review: Midnight Diner”
by Judith Harris
When Tim and I visited Pompeii last year our one disappointment was the lack of information at the excavations site. Even armed with the official guide book, we were confused about what some buildings were and which bits had been reconstructed. Though don’t get me wrong: we still loved it so much that we spent a second day there rather than climbing Vesuvius as originally planned.
So when we got home I searched for a book not about Pompeii pre-AD 79, but about the rediscovery of the town since 1748. Harris tracks the uncovering of Herculaneum and Pompeii up to the present day – a story that encompasses much of the political history of Europe over the same years and the development of modern archaeology.
This book is really good and definitely helped me to understand more of what we had seen in Pompeii, though I must admit it didn’t answer every question. It is packed with fascinating tidbits that I kept storing up to tell Tim.
Continue reading “The archaeological pace had grown feverish”
I have come full circle from a year ago – from Japanese TV dramas to Korean shows and now back to Japanese ones. Aside from confusing myself language-wise (I had just started to pick up some words in Korean), I found it really interesting to watch a similar teen drama to many of the K-dramas I binged last year, but set in a city I have actually visited.
Good Morning Call originally aired in 2016 on Fuji TV and a second season Good Morning Call: Our Campus Days was made a year later by Netflix. It’s a light-hearted romance set in Tokyo, where teenagers Yoshikawa Nao (played by Fukuhara Haruka) and Uehara Hisashi (Shiraishi Shunya) are both looking for an apartment to live alone for their last two years of high school. They are scammed into leasing the same apartment and, realising that they could not possibly afford such a nice place individually, agree to secretly live together.
Nao is a sweet, scatty, popular girl who feels things deeply and is incapable of hiding her volcanic emotions. Hisashi is a distant, clever loner who is good-looking enough to be fawned over by all the girls at school but has no patience with most people. They are not an obvious pairing and initially they fight a lot. But of course they learn each other’s virtues as well as flaws, not to mention their secrets. Enmity becomes friendship becomes…romance?
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