by Leo Tolstoy
translated from Russian by Rosamund Bartlett
I had a rough idea of the story before I started this book, but hadn’t realised that the story of Anna is not the only plotline. As its famous opening line suggests, the novel follows a few interlinked families, and Anna is not the focus of the first nor the last chapter. We open in Moscow with her brother, Stepan Arkadyevich Oblonsky, who is in trouble with his wife, Princess Darya Alexandrovna Oblonskaya (Dolly), after cheating on her with the nanny. Only the arrival of Anna from St Petersburg manages to calm the household down.
At the same time, Oblonsky’s close friend Konstantin Dmitrievich Levin has come to Moscow to propose to Dolly’s younger sister, Ekaterina Alexandrovna Shcherbatskaya (Kitty), but unfortunately while he has been away at his country estate, Kitty has taken up a flirtation with Count Alexei Kirillovich Vronsky, a dandy young cavalry officer from St Petersburg. In confusion between her two suitors, she turns Levin down. But just a few days later, at a society ball, Vronsky meets Anna and their mutual attraction is immediately obvious to all.
“It was as if tears were the essential lubricant without which the machinery of mutual relations between the two sisters could not operate effectively – after the tears the sisters did not talk about what preoccupied them, but they understood each other even though they were talking about other things. Kitty understood that she had deeply wounded her poor sister with those words she had uttered in a fit of pique…but that she was forgiven. For her part, Dolly understood all that she had wanted to know.”