I am very torn in my reactions to this K-drama. On the one hand, I love the lead character and the setting felt more like a realistic modern Seoul than any of the other dramas I’ve seen set there, except maybe Doctors (Strong Woman Do Bong Soon first aired in Korea in 2017 so it is the newest K-drama I have watched). On the other hand, the sense of humour can be not only juvenile, but also homophobic.
And it started so well! This show juggles a few different genres and to begin with I loved the switches from one to another, but they were less well balanced in the second half. Similarly, the storylines all started strongly, but got a bit lost around the halfway point. It’s almost as though different writers took it over. It’s certainly the first time with one of these K-dramas where it hasn’t felt carefully plotted from start to finish.
Genre one is superhero, and the superhero in question is Do Bong-soon (played by Park Bo-young). She is a petite 27-year-old who didn’t do well enough at school to go to university, has never held one job for long, but dreams of designing computer games. Oh, and she has supernatural strength, which she uses to save people from danger. She’s cute and girly but also a little bolshy, which probably comes from her experience of standing up to bullies.
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One of the major genres of Korean TV is historical epic, so I thought I should try one out. I sampled a few before settling on 2016’s Love in the Moonlight (also known as Moonlight Drawn by Clouds). I think I was drawn to the romance element (as well as the Shakespearean cross-dressing comedy) so I perhaps shouldn’t have been surprised that this shared a lot in common with Boys Over Flowers. And I do mean a lot.
First thing they have in common: they were both phenomenally successful shows based on books – in this case the novel Moonlight Drawn by Clouds, which was serialized online in 2013 and then published as five separate books in 2015. (I would love to add who wrote the book but there is very limited info available in English and my Korean is non-existent.)
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Yes, after almost a month of no book reviews because, well, brain mush, I bring you an extra-long review – of a TV show. Because why not?
This review is of the Korean version of Boys Over Flowers from 2009. It’s based on a long-running Japanese manga called Hana Yori Dango and there have also been Japanese, Taiwanese and Chinese TV series, but this is the one that popped up on Netflix earlier this year and caught my eye, and it’s the one I watched obsessively for the last few weeks – all 25 hours of it.
I should open with the fact that this is a ridiculous, OTT, not-to-be-taken-seriously show. It has a hyper-real quality and is more about glamour than any of the issues it covers. But I was hooked and thoroughly entertained. I think part of the reason I enjoyed it is that it is easy on the brain. And the subtitles meant that I couldn’t multi-task, which is just as well when you have mush for brain.
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by Sue Perkins
This memoir by beloved comedian and TV presenter Sue Perkins jumped out at me when browsing one of our local charity shops, as I was looking to add some comedy to my book shelves and this seemed like just the thing. One the one hand, I was right that it would be funny, on the other it also made me cry no less than three times. Damn it Sue with your sweet, touching moments. And dead pets.
I’d like to claim to be an early fan of Sue, having watched her first TV shows Light Lunch and Late Lunch, back in the 90s, but the truth is that they followed years of stand-up comedy that I of course knew nothing about. Sue is yet another alumnus of the Cambridge Footlights society, and gives a brilliant description of the drab, dingy basement that is the Footlights theatre. This is also where she met long-time comedy partner Mel Giedroyc, who in this book (and, I assume, in life) is the butt of many a joke, primarily about her being two years older than Sue.
Sue is a good writer, whether talking about her family, her career, her loves or her pets. Her timing is spot-on, knowing when to hit the sad button and when to lighten the mood with a joke with the canny judgement of Spielberg. She’s not afraid of sincerity about tough subjects and the chapter about her break-up with a long-term partner after getting back into TV work and running a bit wild is a little painful to read as it seems to betray lingering feelings.
Continue reading “Sometimes we don’t want to be tethered to yesterday”